斯米塔·恩·因德、朱莉娅·恩·西西里和莎拉·蒙特利尔，这三位女性的命运波折重重，处境异常艰难。斯米塔不幸被流放到一个偏远的村庄，仿佛被束缚在吊坠之上，难以挣脱困境；朱莉娅则面临着金融家们的逼迫，因为家族企业的破产，她肩上的重担愈发沉重；而莎拉，这位热爱事业的作曲家，却身患癌症，病痛无情地侵蚀着她的身体。尽管她们倍感艰辛，但她们依然坚韧不拔，勇敢地面对生活的挑战。

影片从一名作家的视点出发，描绘了三段情爱故事，镜头在罗马、纽约和巴黎三座城市之间巧妙转换。不断变化的城市场景令观者目不暇接。结构设计巧妙，每一组镜头之间都有完整意义的衔接，揭示了成熟男女在婚姻之后和之外的情感萌发，讨论了对爱的信任与信念。本片的整体气质如同一首忧伤的诗，也似一个瑰丽的梦。

五个拼车的人乘坐一辆房车，去往一个共同的目的地。夜幕降临之后车辆因为意外情况撞上了一棵树。当他们清醒过来时，发现自己身处荒郊野外。之前的公路已经消失，只有一片密不透风的森林和一个空地上的木头房子，那是一个令人毛骨悚然的邪教组织的家。

Caterino is a worker at the Ilva factory in Taranto. When the company executives decide to use him as a spy to identify the workers they should get rid of, Caterino starts to track his colleagues, in search of reasons to report them. He then asks to be assigned himself to the Palazzino LAF where as punishment, some employees sit out their time with no job assignment. There he discovers that what looks like paradise is actually a strategy to psychologically break troublesome workers.

一部204分钟长的电影，绝对需要磅礴浩大的题材。在这点上，意大利导演马利欧·迈图纳的《我们相信》是做到了。三个年少的伙伴受19世纪20年代法国大革命的影响，决定献身于争取民主的革命事业。电影中以三个伙伴在三个不同时间段中发生的纠葛和经历作为主线，同时以小见大地展示了意大利王国的建国史。在这个过程中，三位好友由于个性和家庭背景不同，经历了各种曲折和恩怨，其中还有因为对革命事业的不同理解而手足残杀。这个磅礴的题材在老导演马利欧·迈图纳的操控下，画面气势恢弘，场景惊心动魄，但事实上它更适合被剪辑成一部电视连续剧，这样的话人物形象应该更为丰满和生动。

在意大利南部看望未婚夫的母亲时，一名女子必须与意欲夺走其女儿的恶毒秘咒抗争。

2035, United States of Europe. Some humans are not sustainable anymore.

Pio and Amedeo are inseparable friends, or at least they were until they graduated from high school, at which point each one was faced with the question: move up north or stay in the south?

A yacht lies at anchor in a bay off the Sicilian coast. Naomi, a young Japanese woman, has four days to leave her son with a lasting memory of her before she loses custody of him forever. In this hostile environment, Naomi faces the difficulty of approaching Ken under the controlling glare of the crew. When Naomi's hopes seem lost Ken starts to take an interest in her. Timeless days magnify the weight of their last goodbye.

★ 荣获 义大利影评人协会银丝带奖：最佳原创歌曲

弗朗西斯和克劳迪娅是一对好朋友，他是一个律师，她是一个兽医。他们之间无话不谈，直到约翰的出现。克劳迪娅决定嫁给约翰，这时候弗朗西斯才发现自己对克劳迪娅的感情不仅仅是友情。

Elena is a beautiful, 35-year-old accomplished woman who has an unhealthy obsession with perfection. Elena's well-ordered life is thrown into chaos, however, when she meets Adriana, an 18-year-old seductive young woman who offers passion and excitement, and Hector, an older man who offers Elena stability and security. Elena quickly realizes though that Adriana is too immature and too young for her, so she tries to end their romance, but for Adriana the rejection is just another game to play

A group of burlesque dancers arrives in a little town.

故事的叙述发生在未来的某个时候，在一家邮局里，在一个平常的日子里。一位衣衫褴褛的名叫布苏(Busu)的先生讲述了奇劳洛(Ciraulo)一家人的故事。和他日复一日说的故事一样，这次的讲述也只是为了消磨时光，排遣寂寞。有人听他讲，也有人听着听着，就厌倦了离开了，只剩他孤单一人在这漫长的冬日里。

不过这次，布苏先生讲奇劳洛一家人的故事讲了很久，连细节都描绘得淋漓尽致，仿佛他亲身经历过一般。

奇劳洛一家总共有六口人：尼古拉(Nicola)是一家之长，罗雷达娜(Loredana)是他的妻子，唐克雷迪(Tancredi)是大儿子，塞雷内拉(Serenella)是小女儿。跟他们同住的还有尼古拉的双亲，老大爷冯奇奥(Fonzio)和老奶奶罗莎(Rosa)。他们住在帕勒莫的郊区。尼古拉靠着倒卖船舶旧铁来维持一家人的生计。这样的生活于他们而言很是艰苦，却也相对平静。直到有一天，当他们和邻居兼好友加卡罗内(Giacalone)一家人一同从海边散步归来时，一颗本属于帮派武力争夺的流弹击中了小女儿塞雷内拉，导致了后者的死亡。这件事给他们带来了无尽的绝望。但是，当加卡罗内建议尼古拉向国家索要政府所承诺的黑手党受害者赔偿金时，这家人经济情况的改善有了一线希望。他们怀着能够得到大笔赔偿金的幻想，在钱款到手之前就开始大手大脚地花费，跟所有人都欠了债，以为国家给的赔偿金就要来了。然后，几个月过去了，他们的负债越积越多，尼古拉不得不向加卡罗内的一个朋友借高利贷。最终，他们拿到了赔偿金，一次性还清了所有欠款，他们手头剩下的钱自然也比预期少了一大把。

这家人聚在一起开会决定如何投资这笔钱，而每个人都想满足自己的愿望。大家的要求都被尼古拉以各种理由逐一否决掉，而他最后也提出了自己的看法：他要买一辆豪华车，一辆奔驰。他强调说选择豪华车就是选择了高贵，并慢慢地说服了原本困惑的家人。奔驰车是财富的象征，而财富是唯一能让他们的社会地位得到人们，尤其是在他们所在社区的人们的尊敬的东西。凭借这种获得永恒荣耀的幻想，他说服了大家。

对于奇劳洛一家人来说，奔驰车将不仅象征财富，也将象征一种富裕的贫瘠，象征失败和毁灭打败他们的工具。

A promising law student from a good family is driven by a cool cardsharper into a downward spiral of criminality, discovering a part of himself he had never known.

A Donatello award nominated short comedy feature that takes place in the Italian summer of 1946. The war has ended but there are no signs of peace between fascist Paolo and socialist Luigi.

An ultra-orthodox Jewish family from Aix-les-Bains comes to a farm in southern Italy for a brief stay every year to carry out a sacred mission: harvesting citrons. Here Elio, the farm owner, meets Esther, the rabbi’s daughter, who is tired of the constraints imposed by her religion. Through this relationship, Esther will understand the importance of freedom and find her path, and, in the same way, Elio will find the peace he had lost for a long time.