Two lifetimes from now the world hangs in the balance. Dove, a young, enigmatic, gender-shifting warrior, discovers the gifts and burdens of their Inkwo (medicine) to defend against an army of hungry, ferocious monsters. Dove’s courage, resilience and alliance with the Earth culminates in a battle against these flesh-consuming creatures, who become stronger with each body and soul they devour. Inkwo for When the Starving Return is a call to action to fight and protect against the forces of greed around us.

Samaa is about the strength and power of stillness. Its premise is simple and conveys a deep wisdom that stands out in the blur of modern life. A bird is trapped in a cage. Only when it stops struggling does it find itself free.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".

The selfishness of the bourgeoisie and the dull passivity of its servants are the theme of this puppet animation presenting the tragicomedy of a society in its death throes, taking refuge in absurd behaviour.

The story of an imaginative boy who pretends he is the child of a sperm-laden Sicilian tomato upon which his mother accidentally fell.

Norman is not just an admirer of nature, he's a part of it. He survives the harshness of the climate and the wildlife by coexisting with it. With his wife Nebraska, they live almost entirely off the land, making money by selling their furs.

Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.

First half of film portrays life in port, including rum issue, distribution of letters, and taking on ammunition, the remainder tells the story of an action against German S-boats, in a stock-shot compilation including some captured film. Officers briefed; boats leave harbour, put to sea, "action", a Nazi naval flag is reclaimed from wreckage in the sea, and the motor torpedo boat (MTB) returns to port flying it below the British White Ensign. Film ends with a sequence showing the funeral of a Canadian seaman.

Acclaimed Métis filmmaker Christine Welsh presents a compelling documentary that puts a human face on a national tragedy: the murders and disappearances of an estimated 500 Aboriginal women in Canada over the past 30 years. This is a journey into the dark heart of Native women's experience in Canada. From Vancouver's Skid Row to the Highway of Tears in northern British Columbia, to Saskatoon, this film honours those who have passed and uncovers reasons for hope. Finding Dawn illustrates the deep historical, social and economic factors that contribute to the epidemic of violence against Native women in this country.

A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.

The story of one shepherd's single-handed quest to re-forest a desolate valley in the foothills of the French Alps throughout the first half of the 20th century.

A lesson in geography, which concludes that although the Great Lakes have had their ups and downs, nothing has been harder to take than what humans have done to them lately. In the film, a lone canoeist lives through the changes of geological history, through Ice Age and flood, only to find himself in the end trapped in a sea of scum.

In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.

This animated short by Claude Cloutier is a pictorial account of an attack on Canadian soldiers during WWI. On the edge of the battlefield, recruits are dreading the order to attack. At the signal, a young soldier leaps into a hell of fire and blood where the earth engulfs both the living and the dead. Blending archival images and Cloutier’s hypnotizing brushstroke, the film is a dazzling illustration of the futility of war.

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.

Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business.

Fifteen years after the events of The Boys of St. Vincent took place, the various boys involved are brought in to testify against the brothers, now finally standing trial, who assaulted them when they were children.

Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.

Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.