The story of one shepherd's single-handed quest to re-forest a desolate valley in the foothills of the French Alps throughout the first half of the 20th century.

Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.

“Wash your hands. Turn off the lights. And don’t forget your prayers to Ganesh.” Having fun with comicbook motifs and plasticine, Akash Jones honours the no-nonsense second-generation immigrant mother who raised him, instilling habits that guide him to this day. Stop-motion animation that says, “Love ya Mom.”

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

Norman is not just an admirer of nature, he's a part of it. He survives the harshness of the climate and the wildlife by coexisting with it. With his wife Nebraska, they live almost entirely off the land, making money by selling their furs.

A vine takes root in old Beijing, witnessing the passage of time in a traditional hutong—part of an urban fabric that’s fast disappearing as the city undergoes radical transformation. Making ingenious use of backlit cut-outs, Jenny Yujia Shi crafts an animated elegy to a vanishing way of life.

Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.

In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.

Jade Li is a feisty, 20-something Chinese Canadian, trying to achieve that happy medium between giving in to her parent's wishes and fulfilling her own needs and desires - double happiness. Naturally, something's got to give and when love beckons in the shape of Mark, a white university student, the facade of the perfect Chinese daughter begins to slip.

The story of an imaginative boy who pretends he is the child of a sperm-laden Sicilian tomato upon which his mother accidentally fell.

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.

Drawn to unorthodox materials and themes, Mochi Lin works with diaphanous stockings and acetate to depict courtship in the insect world. Her musical composition provides the soundtrack for a startling pas de deux. Stop-motion haiku on the themes of coupledom, confinement and decapitation!

With dynamic energy captured using India ink on paper, a liberating tango with a stranger enables a woman to reconnect with herself.

Fifteen years after the events of The Boys of St. Vincent took place, the various boys involved are brought in to testify against the brothers, now finally standing trial, who assaulted them when they were children.

This documentary follows superstar Bret Hart during his last year in the WWF. The film documents the tensions that resulted in The Montreal Screwjob, one of the most controversial events in the history of professional wrestling, in which Vince McMahon, Shawn Micheals, and others, legitimately conspired behind the scenes to go against the script and remove Bret Hart as champion.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.

Madame Tutli-Putli boards the Night Train, weighed down with all her earthly possessions and the ghosts of her past. She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure.

Cameron Kletke depicts an in utero skirmish between twins with spacious hand-drawn animation, employing watercolours and pastel to plunge us into an intimate watery universe where the umbilical cord becomes a prop in a comic battle of wills. Those little elbows can be sharp.

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.