Just as Hank is released from a 72 hour jail period for assault he is picked up by Charlie and dragged off to show the recent events of F&P with Mia becoming public and dropped into a meeting with a young actress that wants to capitalize on the publicity, and make a movie out of F&P. whom which he later re-enacts F&P in her hotel room. The episode ends with Hank hearing from his lawyer that the assault charges have been dropped and he is then arrested for statutory rape.

Hank takes advantage of the misperception that he tried to commit suicide and moves back home with Karen and Becca, but his daughter knows the truth; Charlie sets out to reach a sexual benchmark while a wealthy producer pursues Marcy.

Hank Moody is notified by his attorney Abby that he will be going to trial for statutory rape. But not before Hank hands the completed F&P script to Charlie, who promptly drags him to a meeting with the Director, producer Stu Beggs and eccentric financier Zig Samitaur, setting off a chain of events that leads to Hank and Charlie having to explain why there’s a dead billionaire in the bathroom.

A sensational photo derails Hank's case and threatens to destroy his movie project until his sincere love for Becca rescues his career, while Karen resuscitates her ex-husband's relationship with his beautiful lawyer.

Forced by her relationship with Hank to recuse herself as his lawyer, Abby pitches the case to a senior partner on the golf course; Hank is dismayed by Karen's growing relationship with artist Ben; Marcy and Stu ask Charlie to help them pitch a TV project.

Hank takes a gig rewriting dialogue on a zombie sequel but threatens his job when he hooks up with a sexy woman with close ties to the film's female lead; Marcy tells Stu she's pregnant but not that the baby may be Charlie's.

Evicted from his apartment, Hank moves back in with Karen and Becca while he prepares for his trial and teaches his daughter to drive; while Karen's out on a date with Ben, Becca and Pearl steal the Porsche and wreck it.

Found guilty of statutory rape, Hank buys a used Porsche and considers fleeing from Los Angeles, but instead enjoys one last night in the company of his friends and family.

As Hank awaits sentencing, the lines between his real life and the movie based on his life blur as the film's star hits on his ex-wife and he feels stirrings of passion for the actress hired to play Karen.

A few years have passed and Hank is living in New York but looking for a ticket out of town after his latest breakup. He accepts an invitation from Charlie to come to Los Angeles for a job writing a film starring rapper/actor Samurai Apolcaypse, then reunites with Karen, her former professor and now-husband Richard, and his daughter Becca, who now has a boyfriend named Tyler that is the spitting image of Hank himself ... in the worst possible way.

Hank passes on writing Samurai Apocalypse's new movie but Sam won't take no for an answer and drags Hank to a meeting with director Peter Berg, where they discover that Hank and Peter have shared more than just a love of the written word. Sam takes it on himself to get rid of Tyler, which makes things worse between Hank and Becca. Co-parents Charlie, Marcy and Stu have their hands full when Little Stuart exposes himself to a preschool classmate, and Charlie takes it upon himself to mend fences with the offended girl's attractive mother.

Hank hands a completed draft of "Santa Monica Cop" over to Samurai Apocalypse, but he still finds himself stuck in L.A. when he's asked to take Kali, his "acquaintance" from the flight to Los Angles, out for a night on the town. Tyler crashes at Karen and Becca's house while he recovers from his injuries. Charlie is rescued from a serious parental crisis by Stuart's nanny, Lizzie.

Hank receives an unwelcome surprise in the form of Carrie, ex-girlfriend and arsonist that he's forced to invite along when Karen and Becca show up to invite him to a dinner party. Stu, Marcy and Bates' talk of sexual proclivities leaves the Moodys searching for the nearest exit, but the party gets even more out of control when Carrie has a realization about Hank. Meanwhile, Charlie goes on a blind date with Mary, a "nice girl" who's more than a little inexperienced.

Hank saves Karen from embarrassment with a drunk Richard, then covers for Richard by pretending to be dating a stripper named Holly, who takes a liking to Tyler and offends his girlfriend, Becca. Meanwhile, when she's fired after an inappropriate encounter with Stu, nanny Lizzie calls on Charlie and allows their relationship to progress, only to have Marcy beg for her return.

Hank is stuck reading Tyler's screenplay but discovers some talent under that head of hair, even though the script appears to be disturbingly autobiographical account of the author's relationship with Becca. Charlie and Lizzie's love quadrangle with Stu and Marcy heats up, but when their bedroom games hit too close to home for Charlie, it may be off to therapy for all four of them.

On the first day of production on Hank Moody's latest movie "Santa Monica Cop," Stu has brought back his "F--king and Punching" director in hopes of creating a cinematic masterpiece, but Hank's rendezvous with the film's leading lady puts his relationship with Sam in jeopardy. Luckily for Hank, Stu and the production's crew, Charlie has a backup plan.

Minus one agent and best friend, Hank crashes with his two favorite ladies, Karen and Becca. Looking for new representation, he meets with Hollywood power agent Larry Levine, who quickly sets a meeting with world-class filmmaker and Hank Moody idol Lars Manderhoff. It may be a match made in heaven when Lars surprises Hank with one of his favorite working girls, Trixie (guest star Judy Greer). Distraught over his personal losses, Charlie seeks comfort from Marcy while Lizzie enjoys her big break, a part in "Santa Monica Cop" courtesy of Stu.

Hank overstays his welcome at the house of Karen and Richard and hits the road with one last stop at Malibar, where he runs into Lizzie, who uses her newly acquired acting chops to lure him back to the Runkle Manor. Once there, Hank is surprised by everyone he loves and loathes: Karen, Becca, Charlie, Marcy, Stu, Richard and his creepy sponsor, Gabriel. Even Sam and Kali show up, but it's not a party until someone gets hurt and luckily for these partygoers, Hank has it in him for one final run-in with Tyler.

Hank discovers the bartender at a local watering hole is his late friend Lew Ashby and wonders if he's in Hell. Richard makes a startling announcement about Hank and Karen. Hank tries to make things right with Becca, but her news about Tyler leaves him stunned. On the set of "Santa Monica Cop," Sam's jealousy and fondness for firearms give Charlie an opportunity to show how much he loves his best friend and number-one client; Hank's arsonist ex-girlfriend surprises him with a way for them to be together forever.

Hank reluctantly heeds the advice from his family and friends, but Faith, muse to many-a-rock-star, may be his light at the end of the tunnel. Charlie runs into out-and-proud movie star Robbie Mac and finds himself taking drastic action in order to land the award winner as a client. Marcy loses her resolve with Stu, while Karen lands a new job.

Ken discovers Charlie’s secret. Atticus sends Hank and Charlie on a hunt, so they enlist the help of Hank’s daughter Becca. Marcy makes a decision about Stu that is influenced by her man-hating spiritual guide, Ophelia Robbins.

The reviews are in for the first draft of "A Crazy Little Thing Called Love: The Musical." Hank looks for inspiration from Faith to help get him to the next level. Becca contemplates alternate careers. Charlie and Stu join forces to win back Marcy, but first, they'll have to pry her from the man-hating clutches of Ophelia Robbins.

Atticus throws a party. Faith provides the girls, The Dealer provides the recreation and Hank's old friend provides the entertainment. Hank gets a taste of his own medicine with Karen. Atticus tries to recreate rock and roll folklore with one of his biggest fans while Charlie reunites with The Widow.

Hank's reunion with Karen doesn't go quite as he planned. Meanwhile, Hank gets hired by the "Santa Monica Cop" showrunner, and a reporter asks to interview Hank for his college paper.

A "Santa Monica Cop" kickoff party is hosted by Rath, where Hank conducts an intimate notes session with the show's leading lady, and Hashtag Black eyes Julia. Meanwhile, Charlie manages head-case client Goldie; and Stu makes Charlie an offer.

Rath demands a rewrite of Hank's 'Santa Monica Cop' script. Julia's new boss, Dr. Dan, gives her some career advice, but Levon and Hank have other ideas. Charlie and Marcy consider Stu's offer - until Atticus' old rock 'n' roll butler Krull offers an alternative solution to their money woes.

Hank has problems with Hashtag Black. Stu's offer leads to fisticuffs.

Hank entices Karen to have dinner with him, but Julia interrupts their romantic evening. Later, Charlie, Marcy, Krull, Levon and his new friend bring even more drama to the night; and chaos ensues when Stu assaults Charlie's manhood.

Hank might soon be out of a job. Becca makes a big announcement.

Hank makes a life-altering decision. Series finale.