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A businessman, on his daily commute home, gets unwittingly caught up in a criminal conspiracy that threatens not only his life but the lives of those around him.
Dev battles a killer Traffic Warden, a blind ninja, parkour bankers and comes face-to-face with Pamela Anderson before getting stuck in a lift with Ed Westwick and stealing a Lotus...will he make it in time?
Public broadcast art PSA around the theme of rapid transit.
The Commuters is a 1915 silent film comedy directed by George Fitzmaurice and starring Irene Fenwick in her film debut. It is based on a 1910 Broadway play, The Commuters, by James Forbes. A copy of the film is saved in the Library of Congress collection.
Occupied by family problems, a 13 year old Vojto takes every responsibility around the house. One day while on a train to school, he sees this girl, Kajka, and falls madly in love with her. Despite his busy life, he decides to win her heart by any means possible.
Yuna has a crush on Haru. She sees him on the train every morning when she goes to school. She doesn't know anything about him and he goes to a different school from her. One morning, she wakes up and finds Haru sleeping right next to her.
Yuki is introverted and not very good with love. She has a crush on somebody, but he already has a girlfriend. Kou is in the same art club as Yuki and has feelings for her.
Two suburban husbands rent an apartment in the city to use for extramarital encounters. Their wives find out about it, but instead of being angry they decide to make use of the apartment, too.
Composed using three different formats, that have been made to co-exist: super-8, 16mm, and 35mm on a single 16mm support, clear leader. The variations in size caused the original frame lines to overlap, subjecting them - and with them their images - to a singular diabolical rhythm. The above-mentioned formats were glued together, one at a time, fragment on top of fragment, using transparent adhesive tape.
Passengers traveling to Arad for work in the early morning in a crowded train indulge in a communal nap; on the way back, they play cards, read newspapers or knit, while the time between the two jour-neys is summarised in a series of photographic portraits of the working environment.
Commuter passengers are going to their ‘dachas’, homes, or elsewhere, speculating about private matters, dreams, misfortunes, and joy that make up our life.
Documentary about the day-by-day of street vendors in Rio de Janeiro. They tell their dreams, longings, and the harsh reality faced inside the city buses every day.