Neighbors in a block wake one morning to find they have been sealed inside their apartments. Can they work together to find out why? Or will they destroy each other in their fight to escape?

While on duty, a hospital security guard is overpowered by hallucinations and bizarre sounds as he discovers an apparent suicide, a mysterious child and a slew of menacing creatures that haunt the hallways. Trapped inside with no way out, he must track down the elusive child and fight against the shadowy beasts and visceral nightmares that invade his reality in this frightening chiller from director Chris Schwartz.

Every nuclear weapon made, every watt of electricity produced from a nuclear power plant leaves a trail of nuclear waste that will last for the next four hundred generations. We face the problem of how to warn the far distant future of the nuclear waste we have buried --but how to do it? How to imagine the far-distant threats to the sites, what kinds of monuments can be built, could stories or legends safeguard our descendants? Filmed at the only American nuclear burial ground, at a nuclear weapons complex and in Fukushima, the film grapples with the ways people are dealing with the present problem and imagining the future. Part observational essay, part graphic novel, this documentary explores the idea that over millennia, nothing stays put.

A team of special forces are sent to contain Dr. Doppelganger.

A teenage couple is terrorized by a mysterious creature when they accidentally crash their car in a restricted government facility. This short film is a proof of concept prequel to a much bigger feature script called Ex-Vivo.

Bir koloni uzay gemisinden ayrılan küçük bir kaçış gemisinde hayatta kalan dört kişi kendilerini derin uzayda mahsur kalmış bulurlar. Gemilerinin imhasına yol açan salgının nedenini anlamaya çalışırken, aralarından birinin enfekte olup olmadığından emin değillerdir. Yaratık: Sınırlama, 1979 yılında çekilen Yaratık filminin 40. yıl dönümünü kutlamak için çekilen altı kısa filmden biridir.

An unlucky D-Class Personnel is on cleaning duty in the containment cell of SCP-173, also known as, The Sculpture. Item SCP173 is to be kept in a locked container at all times. When personnel must enter SCP-173's container, no fewer than 3 may enter at any time and the door is to be relocked behind them. At all times, two persons must maintain direct eye contact with SCP 173 until all personnel have vacated and relocked the container.

A young girl is possessed by a dark and sinister being, and will fight with all her might to free herself from it. An apparent expert in exorcisms and her mother, a traditional medicine expert, are unable to get rid of the demon, until a nun gets involved, giving rise to suspicions more terrible than demonic possession: Is this a wicked demon at all, or is it a being that has come to help contain the evil already present within girl?

A dark and sinister being enter the body of an innocent child.

"Analog Horror has been viral for a few years on the internet. It is a mix of 80/90s esthetics and subtle horror, based on tense situation and feeling of loneliness. There are many creators dedicating this style to the Jurassic Park franchise and I thought it would be fun to be a part of it."

A dystopian future in Mexico City, where COVID19 virus gets out of control and massively infects the city. Solo and Sola, two survivors search for a reason to move on in this desolate city.

A semi-trailer found dumped and full of dead people leads Kurt Wallander and his team to a convent where the nuns have been assisting illegal refugees into Sweden via Poland.

As a magical moon appears, different timelines entwine in the mysterious and stagnant town of Manzanillo.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

Starting with her obsessive love of ports, filmmaker Diana Al-Halabi narrates her experience on a tugboat in the port of Beirut in 2017. The film departs from the port of Rotterdam and deals with loss, distance, death, and the undead. In 2020, the blast at the port of Beirut created a torsion in time. Diana narrates this experience from different perspectives. Port workers narrate their direct exposure to trauma and loss, while the filmmaker narrates her relationship to them, and how the disaster cannot be contained through a screen.

Chang-Ho comes across some strange happenings during his graveyard shift, primarily revolving around a mysterious locked container in the yard.

A dog and a mare embark on a voyage together. With every step they take, the differences between them become inevitably clearer yet the profound mutual understanding they develop over time shows the potential to suddenly produce a luminous moment between the two.

Company lingo and middle-aged, middle class comfort as Jens Bejemyr is introduced to colleagues at a new job. A simultaneously humorous and sharp observation of a world free of conflict, where the dialog chugs along without aim.

An evocation of the exterior world from the home window, while outside, life follows its course.