Early on we can virtually glimpse the "feel-good" (knock me over the # head) inevitable ending, but it's the all-too floral and busy music score that truly puts the boot in, completely sealing this film's fate.

Here, moments from Katharine Hepburn's semi-fictionalised later life could have played more dramatic and tender, but are instead punctuated with jubilant wind instruments taking us by full-force into a tonally confused realm of lightheartedness. Any tension or depth is cut dead with an incessant noodling of notes which writes every plot development off as something purely whimsical.... read the rest.