Very good sequel retains the high standard Blatty's original screenplay set!

In going through the original 'Exorcist' trilogy (I have the DVD 6-pack, with the two versions of the remarkable original, as well as the two recent prequels, so far unwatched), I was intrigued of seeing Oscar-winning writer William Peter Blatty's second stint behind the camera (for the record, I adored his 'The Ninth Configuration', done a decade prior), especially for the franchise that became his bread-and-butter (though I loved two films he earlier had co-wrote: 'A Shot in the Dark' and 'The Omega Man').

He o... read the rest.

What's good in this film we can attribute to William Peter Blatty's script and direction and to the casting, especially Brad Dourif and George C. Scott; what's bad, to Executive Meddling – in particular the last minute exorcism performed by a last minute priest; it says a lot that Burton's Father Lamont from Exorcist II: The Heretic is more memorable than Nicol Williamson's Father Morning.

Unlike The Heretic, III looks and feels – except for a bizarre dream sequence featuring cameos by Fabio and Patrick Ewing as angels – like it belongs in the same world as The Exorcist; that is to say, it k... read the rest.

This was the best sequel to The Exorcist they made, and that isn't really saying much. The second one was horrible and the ones that followed were horrible. In fact, I think they were so bad it was instantly remade.

But, this one was decent, it felt the most like an actual sequel to the Exorcist, it was unsettling, it was intelligent, it was pretty memorable in its own way. But it still was a bit too much, not underplayed enough to really feel like the one that started it all.

And, honestly, compared to what we have in the theaters today it is a great film