A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
When Fergus and Wesley get in the bad books of a local rough in their home town in Northern Ireland they decide to flee to Australia. After making a new life for themselves in Sydney they soon outstay their visas and must go on the run again, this time from the immigration officials.
A college professor, left alone by his wife for the weekend, discovers his new TV set is not only alive, but determined to take control of his entire life.
Enrique buys a color television set just to satisfy a personal pleasure long time deferred but, from that moment on, he becomes obsessed with it in such way that eventually he is incapable to differ reality from fiction.
The host of a children's television show aimed for creativity starts experiencing burnout after needing to force that creativity every day.
After being arrested for assaulting a football referee, desperate train driver Bill (Arthur Askey) raids the railwaymen's holiday fund to cover his £55 fine. He knows he's going to be discovered though, leaving him no choice but to get the money back by hook or by crook! His last chance is to run a book on the United v City football derby. If that wasn't tense enough, Bill's son is also making his debut for United. It looks like it's going to be a day to remember - do you dare look? ...The Love Match.
In Japan, during the eighties, a recently discarded old television set refuses to accept its fate and tries to break out of the junkyard where it has been sent.
A humble noodle-maker in a remote Chinese province, Ermo feels that she's being taken for granted by family and friends. She decides the best way to impress them is to bring home the biggest, most expensive television set she can find - no matter how many noodles she has to peddle.
In another lifetime, a Spanish couple takes drugs and teleports through their television set. A troubled young man travels through the countryside and meets a lost woman. During the trip, they discover a museum housing the expatriated paintings of the most important Filipino artist of the revolution. Eventually, the Spanish couple disappears toward their colony. Inspired by one of the earliest teleportation accounts, which happened between the Philippines and Mexico during the colonial period.